I love to dance and dance all night long.

The script's always important, but there are some things that have come out in the past year that, when we read them, everyone was like, "Oh my god, this is going to be the next best thing!" Then the movie falls completely flat on its face.

When I meet girls, I pray that they don't know who I am. But I know that's limiting myself quite a lot.

I would be the last person on earth to complain about what I do - I feel very fortunate and I know there are a million jobs in the world that are much, much harder - but it's not always an easy or glamorous thing to do, that's for sure.

I've had friends who have come away who've said, "I shouldn't have become such close friends with the director." You always want to get on with the director, but I personally prefer a relationship where you respect them - you get on really well with them, but they're boss, as it were. It's about trusting your director, for better or for worse. They're the one's seeing what's coming out on the monitors, so you have to try and trust what they say.

I love movies. That's still my favorite form of escape, and I usually end up going alone. I love to go and sit in the theater by myself, no distractions.

I wanted to become an actor. I went to Guildhall School of Music and Drama, which is one of the main drama schools in London where you go when you are older. But I was doing the junior one when I was a kid. And some friends there had agents. I was fourteen and I was like, "I want an agent! It sounds awesome!" I had no idea what that was. I thought those guys looked like men in black. They were hanging around in suits all the time. So I luckily got a very good agent in London and started auditioning. And then when I was 16, I got my first film and I've been working ever since.