With our job, you often meet people through work. I've had two long-term relationships, from 14 to 18 and 19 to 21. One I met at school and the other I met on a job so who knows where I'll meet the next person.

I've had friends who have come away who've said, "I shouldn't have become such close friends with the director." You always want to get on with the director, but I personally prefer a relationship where you respect them - you get on really well with them, but they're boss, as it were. It's about trusting your director, for better or for worse. They're the one's seeing what's coming out on the monitors, so you have to try and trust what they say.

Going over to Lesvos in Greece and meeting some of these poor refugees who have just made the treacherous sea crossing opened my eyes in a way I can't even being to describe. It's put a fire in my belly to really try to do something, the little I can do.

Some people can very easily switch off and be guilt free, not that what I'm doing is about guilt, but they can completely disconnect and not care because it doesn't affect them. I've always really cared about what happens and felt a certain responsibility.

As a kid, I used to run around our garden waving a stick and pretending to be a million different people. That's why I became an actor, really.

[London is] one of the best cities in the world. There is just so much culture there and so much history and so much diversity. It's just a perfect place to grow up. I studied at the Guildhall every Saturday so I'd always be in town every weekend doing that. I was kind of a city boy really.

I knew I wanted to do something creative. I am dyslexic, so I really struggled in school. I knew I was never going to sit behind a desk or do something involving numbers.