You can have a great script, or a great director and a bad script, and get a great movie. Nothing really guarantees anything.

I'd love to work with Paul Thomas Anderson or Quentin Tarantino, but these are dreams I don't need to rush to achieve. I'll be ready to make those movies when I'm ready to make those movies and they're ready to make them with me, if they ever want to.

I suppose to a certain degree. London's my favorite place on the planet and the reason for that is its fantastic diversity.

Sometimes a script comes along that really makes you sit up and pay attention... 'Life at These Speeds' has an emotional intensity that really kicked me in the guts.

I've said I won't eat meat until the whole world can eat it responsibly, which is going to be hard. It's becoming more and more fashionable to eat more and more meat and they've just made it fashionable to eat meat in the east in China, which is a massive population.

I looked pretty crazy but at the time, you don't think anything of it. You think, "I've got an amazing job. I'm working and this is cool." I remember I was being fit to go to a premiere for something at Burberry and Christopher Bailey, who designs the clothes there, saw a picture of me and I looked weird. I had short black hair, hardly any eyebrows, I looked very very thin and he went, "We need to put Douglas in a campaign." So four days later, I was shooting a Burberry campaign because he had seen me looking crazy from the show so that was kind of funny.

For the moment, whenever I read, it is normally scripts. You start a book and then you think, 'I should be reading these five scripts.