What has always been at the heart of film making was the value of a script. It was really the writer who could make or break a film. But as we all know, the writer has always been at the bottom of the creative heap.

I am not a socialite, though I seem to have got the reputation for being one. I have some very good friends who happen to be in so-called Society; but Society as such is a bore and holds no fascination for me.

My father and Mary Pickford were the reigning stars of not just Hollywood but of the world. Well, to bear my father's name was hard enough, but to work in pictures to boot was pretty foolhardy. In fact, my father was totally against it. He thought I should be off getting a good education and go into some safe profession.

I had no particular desire to be a personality like my father, nor was I equipped to be one. I was determined to be my own man, although having the Fairbanks name did make it easier to get into an office to see someone.

I will never forget the pleasure and instruction I derived from working with a true master of his art, such as Edward G. Robinson was - and is. Surely his record for versatility, studied characterization - ranging from modern colloquial to the classics - and artistic integrity is unsurpassed.

In my day, the only people who achieved real independence were my father, Mary Pickford and Charles Chaplin, who, with D. W. Griffith, formed United Artists. Other than that, everybody belonged to the big studios. They had no say in their own careers.

Curiously enough, I was one of the first to have some say in Hollywood. By sheer accident, I had four successes in a row in the early 30's and, although I was still in my 20's, I demanded and received approval of cast, story and director. I don't know how I got away with it, but I did!