What has always been at the heart of film making was the value of a script. It was really the writer who could make or break a film. But as we all know, the writer has always been at the bottom of the creative heap.

I had no particular desire to be a personality like my father, nor was I equipped to be one. I was determined to be my own man, although having the Fairbanks name did make it easier to get into an office to see someone.

What has always been at the heart of film making was the value of a script. It was really the writer who could make or break a film. But as we all know, the writer has always been at the bottom of the creative heap.

I was a shy, awkward sort of a boy and my fathers frequent absences from home, along with my hero worship for him, made me even shyer.

I will never forget the pleasure and instruction I derived from working with a true master of his art, such as Edward G. Robinson was - and is. Surely his record for versatility, studied characterization - ranging from modern colloquial to the classics - and artistic integrity is unsurpassed.

I am not a socialite, though I seem to have got the reputation for being one. I have some very good friends who happen to be in so-called Society; but Society as such is a bore and holds no fascination for me.

Curiously enough, I was one of the first to have some say in Hollywood. By sheer accident, I had four successes in a row in the early 30's and, although I was still in my 20's, I demanded and received approval of cast, story and director. I don't know how I got away with it, but I did!