There must be something in oneself which is essential. Therefore I refrain from referring to a landscape or certain objects when speaking of a picture. The hand is cleverer than the mind.

My paintings should become objects into which one could float, as in water, so that one's mind is hung... suspended, and the emanation of the painting would penetrate into people's consciousness.

I believe that one of the most important properties of a work of art is an attempt to reconcile opposites, and in their fusion to achieve a 'wholeness' or 'oneness,' the experiencing of which should be revelatory - both for the artist and the spectator - something akin to the experience of enlightenment in terms of religion.

Art is precisely that condition which pertains when, after all analysis and reduction to parts has taken place, there remains a 'quality' which is more than the sum of those parts, which could not exist in any other form, and which cannot be caught, or held, or contained.

Ideally there is a type of continuum which flows from life through the artist's sensibility and his materials... the concreteness of the object and its own life , through the spectator, with his expectations, interpretations, back into life.

There must be something in oneself which is essential. Therefore I refrain from referring to a landscape or certain objects when speaking of a picture. The hand is cleverer than the mind.

I want my paintings to have a light of their own, they must glow from inside.