Sometimes people say to you that you should try to be in a bigger film, but it's the way it pans out.

I'm doing a Dylan Thomas film, Map of Love, with Mick Jagger producing again. It's a wonderful script.

In terms of jumping into a characters skin, I try to immerse myself in the role as much as possible to bring me closer to them. All I do is whats required to achieve what I want to achieve.

I got involved in script development from the beginning. It was nice to see how a film gets made right from the beginning. It was quite hands-on for me.

I don't have any problem working with first-time directors because all directors have to start somewhere and all great directors have had a first film. So, if you take the view that you don't want to work with a first-timer, you might miss out on a fantastic opportunity.

You're making a movie, not a documentary. If you made a film like the historians would like you to make, you're not going to go and see it. I'd rather see paint dry.

I read all the books on Fairfax in the British Library, did a lot of horse riding and studied military tactics of the time, finding out that he actually laid his rose garden out in strategic formations! But Method acting is a label I don't really understand, because there's a method to everybody's acting. In terms of jumping into a character's skin, I try to immerse myself in the role as much as possible to bring me closer to them. All I do is what's required to achieve what I want to achieve.