Marvin Gaye was a killer drummer. I think he just played during the soundchecks and he'd have another guy sing his parts while he played the drums. He just wanted to play the drums and have some fun.

When the voice and the vision on the inside is more profound, and more clear and loud than all opinions on the outside, you've begun to master your life.

I've been thinking a lot lately about taking chances, and how it's really just about overcoming your fears. Because the truth is, everytime you take a big risk in your life, no matter how it ends up, you're always glad you took it.

When I was a little kid wanting to play music, it was because of people like Pete Johnson, Huey Smith, Allen Toussaint, Professor Longhair, James Booker, Art Neville ... there was so many piano players I loved in New Orleans. Then there was guys from out of town that would come cut there a lot. There was so many great bebop piano players, so many great jazz piano players, so many great Latin piano players, so many great blues piano players. Some of those Afro-Cuban bands had some killer piano players. There was so many different things going on musically, and it was all of interest to me.

See, I dont know nothing about singing. I never wanted to be a frontman. Frontmen had big egos and was always crazy and aggravating. I just never thought that was a good idea.

In 1972, I recorded Gumbo, an album that was both a tribute to and my interpretation of the music I had grown up with in New Orleans in the 1940s and 1950s. I tried to keep a lot of the little changes that were characteristic of New Orleans, while working my own funknology on piano and guitar.

In the network's mind there are no limits.