In 1972, I recorded Gumbo, an album that was both a tribute to and my interpretation of the music I had grown up with in New Orleans in the 1940s and 1950s. I tried to keep a lot of the little changes that were characteristic of New Orleans, while working my own funknology on piano and guitar.

Powerful people never educate powerless people in what they need that they can use to take the power away from powerful people; it's too much to expect. If I was in power, I would not educate people in how to take my powers away.

I started out with the guitar and was a studio musician back in the 50s, and then got shot in my finger.

Marvin Gaye was a killer drummer. I think he just played during the soundchecks and he'd have another guy sing his parts while he played the drums. He just wanted to play the drums and have some fun.

I been trying to clean up my act with my children for a long time. And I pretty much got them all talking to me now. And they accept me as a humanoid again.

I think that any of the places that's cut off from money, things come up, what the people have to rely on.

The specter of color is apparent even when it goes unmentioned, and it is all too often the unseen force that influences public policy as well as private relationships. There is nothing more remarkable than the ingenuity that the various demarcations of the color line reflect. If only the same creative energy could be used to eradicate the color line; then its days would indeed be numbered.