In 1972, I recorded Gumbo, an album that was both a tribute to and my interpretation of the music I had grown up with in New Orleans in the 1940s and 1950s. I tried to keep a lot of the little changes that were characteristic of New Orleans, while working my own funknology on piano and guitar.

Stress is the inability to adapt to a changing environment.

When the voice and the vision on the inside is more profound, and more clear and loud than all opinions on the outside, you've begun to master your life.

When I was a little bitty kid, my aunt showed me how to play a little boogie. It took me years. I had to play the left-hand part with two hands, because my hands was so little. Then as I grew up and I learned how to play the left-hand part with one hand, she showed me how to play the right-hand part, and et cetera. My Uncle Joe showed me how to play a little bit different boogie stuff. I had people in my family that was professional musicians, but I just wasn't interested in what they did. I wasn't very open-minded to a lot of music that I'd be more open to today.

In the network's mind there are no limits.

I've been thinking a lot lately about taking chances, and how it's really just about overcoming your fears. Because the truth is, everytime you take a big risk in your life, no matter how it ends up, you're always glad you took it.

You wanna do some livin' before you die. Do it down in New Orleans.