A happiness that won't stand up to examination is less than worthless.

The visual stuff just lives inside of you. As far as really being able to take care of an actor on a set, how to talk to an actor, and how to get what you need out of a scene is probably where I might know a thing or two. Although, in TV, the actors are pretty much left alone. It's really the writer's medium more than anything.

First of all, I would shoot myself if I ever had to play straight-forward characters that really don't have much of a past. Maybe it's just that I'm not a good enough actor to have to embellish, but I like having these really, really rich roles to play.

Well, I know from some of my own experience, and many of my friends' experiences, when going through that sort of program. The whole addiction game really forces you to focus on what brings you there and accept the only way out. So once you really put this focus on getting better and figuring out what your flaws are, that's what brings you back. I think she could've been more reckless and shown up earlier, but I wasn't really available to come back.

A happiness that won't stand up to examination is less than worthless.

I'm tired of the industry, tired of playing the whole game - the dressing up, the red carpet. I hate talking about myself.

I've been in so many funeral scenes from The Sopranos, and I think I've even been in one on Sons of Anarchy. Those scenes, as a human being, are the most tedious scenes, of all time. You're waiting, all day, in the blistering hot heat. So, I didn't need to be there.