My twenties were about exploring love and being a wildflower and trying to figure everything out. Now I'm not comfortable being that happy wildflower anymore, but I still don't feel like a woman. I wonder when that moment's going to hit.

It's only through listening that you learn, and I never want to stop learning.

Happiness takes work. It doesn't always fall off trees or come easily. You really have to be someone that doesn't fall prey to being sad. I don't want sad, I can't be sad, I don't want to be about sad; I avoid sad. It inherently envelops you, so do everything that you can to escape it all the time.

If I read something that's really intense and depressive, I will face it; I will try - but there's plenty of times I also run away. I think it's trying to find a balance between the positive and the negative. They don't exist without each other. It's the polarity; it's two sides of a coin. You can't get one without the other. I don't wallow. I can't stand it.

Going back to Georgiana Drew and John Drew, and my great-grandfather Maurice Barrymore, and it was such a sort of circus of odd, interesting people that loved acting.

I think my whole life, work has been a very important and positive thing for me. It never was something that made me feel unhappy or disengaged from life. It always makes me feel like I'm plugged in, in a really healthy way.

I love roller coasters that make my stomach drop. One ride in Las Vegas, the Big Shot, straps you into a row of seats and catapults you into the air from the top of the Stratosphere Tower - then plummets back down. I ride it over and over; it's exhilarating.