Whether it's Dorothy Parker or Oscar Wilde, they're brilliant with genius bon mots. Of course, I find them extraordinary.

When somebody say no, it's a red flag to a bull to me.

I know I'm part of the changing process of the way we look at things.

I just absolutely go for it when somebody says, "No, you can't have this." That's why I spent my entire life sucking off straight men. "Okay, so you think you're straight, do you? We'll see about that."

I'm part of an industry that everybody wants to be a part of. I do hang out with a lot of sort of powerful, interesting people like Bella Freud or Jay Joplin or Tracey Emin. I'm part of that group of people. Brit artists who are doing things. That's what I do. Some of them happen to be aristocrats.

As I found out making this last movie ["Method"], if you ever do things in an unusual, different way, you got to fight because there's no way people will let you.

When I was thirteen, I had a nervous breakdown, and I was put into this grown-up mental hospital with all these 50-, 60-year-old men and women. This big, Victorian mental house. There were like five boys in there, all my age, looked after by this woman who was 22 or 23. And it was like "Empire of the Sun" meets "One Flew Over the Cuckoo's Nest"-type of arrangement where you've got this young boy overcoming and becoming heroic in the face of this awful place.