Doing all the rig work and the stunt work has actually been wonderful. It's a whole new skill set that I've learned that I'll get to take onto my next jobs. We get to do that all the time, the fighting and the learning new moves. It's quite exciting.

There are parliamentarians in Australia I really support. People through history, you know? Men like Ned Kelly in Australia who challenged ideals. Governor William McKell in Australia really set the tone of building a nation. The fundamentals of the country are built on what the governor McKell created. I think Sea Shepherd (Conservation Society) is a wonderful organization and I support what they do.

New Zealand is a pretty no-nonsense place to work, like Australia. I mean it doesn't falter to anyone.

McLeod's Daughters was my first regular job out of drama school, and my first full-time role. That was great because I learned a lot, in terms of working in front of the camera. I learned a lot of technical aspects that you take for granted once you know them, but you have to learn them somewhere, along the way. It was a bit of a training ground for me, working in front of the camera and also dealing with media.

When I'm not working, I weight train three times a week and swim and surf as much as I can - in the summer, you usually find me in the water.

We have researchers involved with the show [Spartacus] and they pointed me in a pretty great direction, in terms of what to read, and what to look at or look for, and they also provided me with some material.

I think I made some mistakes, in different areas, but it's great to be working in a show again now, many years down the track. I have worked in many other different shows in Australia and I've been able to learn from my mistakes. I'm lucky that I made those mistakes early on in Australia, and I definitely won't make them again in the States, but you've got to learn that stuff.