I think I made some mistakes, in different areas, but it's great to be working in a show again now, many years down the track. I have worked in many other different shows in Australia and I've been able to learn from my mistakes. I'm lucky that I made those mistakes early on in Australia, and I definitely won't make them again in the States, but you've got to learn that stuff.

New Zealand is a pretty no-nonsense place to work like Australia. I mean it doesn't falter to anyone. There's a nice sense of reality on the set and it's really enjoyable. There's a good camaraderie and a good banter between the obviously New Zealand and Australian rivalry.

Often too many expectations are put on by society as to what we're supposed to look like and it's fed to people at an age that's too young.

Doing all the rig work and the stunt work has actually been wonderful. It's a whole new skill set that I've learned that I'll get to take onto my next jobs. We get to do that all the time, the fighting and the learning new moves. It's quite exciting.

The rig work can be rewarding to pull off, a really good rig in a set of wires where you're throwing yourself up walls and doing moves mid-air. That's just fun.

There's always a project around, but you have to pick and choose.

McLeod's Daughters was my first regular job out of drama school, and my first full-time role. That was great because I learned a lot, in terms of working in front of the camera. I learned a lot of technical aspects that you take for granted once you know them, but you have to learn them somewhere, along the way. It was a bit of a training ground for me, working in front of the camera and also dealing with media.