I walked out of the theater and started crying. My wife asked me, 'Why are you crying?' I said, 'Because I can't do that.' I didn't know how he did it. I've never seen anything like that. It's like this feat, this Rodin sculpture to me. It's like hearing an opera singer and the tears go down your face because it's not human what they're doing. It's like sounds of heaven.

I like to mimic my grandkids. I'm trying to understand the intensity of fixation on a leaf. Kids don't need anything else in their life.

I lived below the official American poverty line until I was 31.

I hope to God I don't win an Oscar tomorrow night. It would really depress me if I did. I really don't deserve it. It wasn't that important a part anyhow.

Tom [Courtenay] and Albert Finney met Ron Harwood on the dresser, so that's how it started. It's a wonderful documentary. It's called Tosca's Kiss and Mr Hardwood told me about it when I asked him what the genesis was. It was made in 1983 and Verdi, who was rich and successful, toward the end of his life decided to build a mansion for himself in Milan, where he lived, and he stipulated that when he died opera singers and musicians - because he knew so many who were no longer playing at the Scala and some were poor - could live there.

In my room as a kid... I'd play a fighter and get knocked to the floor and come back to win.

I think 'retirement' goes hand in hand with people who make a living by having a 'job.' I don't think we-the .00001 percent of the population who are so fortunate to love passionately what we do-consider it a 'job.