I'm always interested in getting to know people, and that means vilified people as much as those celebrated. You find out that heroes aren't always so heroic, and villains have some bit of humanity in them.

Why make a biopic if it's not somehow helping us now? There's really no point. If it's not informing how we can do things differently now and maybe not repeat our mistakes, than why do this piece about this person or this event?

I don't have to sympathize or empathize with a human being in order to be able to portray them. I mean, some of the greatest roles that actors have been able to play haven't been the most endearing on screen.

People from pre-sexual revolution and even from the 60s and the birth of the gay movement still define gay as two men or two women having sex. Our generation defines it from a more emotional standpoint. To be gay means you are drawn to the same sex. But it's a part of who you are, an identity, not an act.

Tolerance is something you don't like, but put up with.

If Harvey [Milk] had not been taken from us 30 years ago, I think he would want me to say to all the gay and lesbian kids out there tonight who have been told they are less than by the churches, by the government, by their families, that you are beautiful, wonderful creatures of value, and that no matter what anyone tells you, God does love you and that very soon, I promise you, you will have equal rights, federally, across this great nation of ours.

It's an incredible education [for the movie J. Edgar Hoover] . It was like I did a college course on J. Edgar Hoover but not knowing and understanding the history and reading the books, but understanding what motivated this man was the most fascinating part of the research.