In the consciousness of the end is the limitation of the moment.

When I'm playing a serial killer, I'm in it. I'm not judging him. I'm not judging his environment. I'm just looking for the why. Why is he the way he is? But, there's no doubt that, if you're a good actor, you're going to take this stuff home with you.

Honestly, I'm cool with everyone, and people pick up on that. I'd say, 'I'm not gay, but it's all good.' It's kind of like going to Paris when you don't know the language; some Americans get into trouble over there, but I'm just like, 'Sorry, I don't speak French.

The Victorian era is the sexiest age for me, but I also like a woman in a pair of jeans.

You never want to have a movie be derivative, because that's the worst if you ask me. I always want to be in original material, or an original idea, or an original vision, rather than a rehash of some other movie.

As an actor, you always have to reinvent yourself or you end up in the gutter somewhere. It's my job to always change people's minds. I've known that for a long time and I've had to do it.

It's like, no matter what I do, I always feel like I'm five years old, and I end up in the back of my father's car looking out the window, and nothing has changed in 25 years.