Do not go gently into that good night but rage, rage against the dying of the light.

Somebody's boring me. I think it's me.

I know we're not saints or virgins or lunatics; we know all the lust and lavatory jokes, and most of the dirty people; we can catch buses and count our change and cross the roads and talk real sentences. But our innocence goes awfully deep, and our discreditable secret is that we don't know anything at all, and our horrid inner secret is that we don't care that we don't.

This world is half the devil's and my own, Daft with the drug that's smoking in a girl and curling round the bud that forks her eye.

Youth calls to age across the tired years: 'What have you found,' he cries, 'what have you sought?" 'What have you found,' age answers through his tears, 'What have you sought.

The best poem is that whose worked-upon unmagical passages come closest, in texture and intensity, to those moments of magical accident.

Me, Polly Garter, under the washing line, giving the breast in the garden to my bonny new baby. Nothing grows in our garden, only washing. And babies. And where's their fathers live, my love? Over the hills and far away. You're looking up at me now. I know what you're thinking, you poor little milky creature. You're thinking, you're no better than you should be, Polly, and that's good enough for me. Oh, isn't life a terrible thing, thank God?