The essayist . . . can pull on any sort of shirt, be any sort of person, according to his mood or his subject matter - philosopher, scold, jester, raconteur, confidant, pundit, devil's advocate, enthusiast.

A single flight of planes no bigger than a wedge of geese can quickly end this island fantasy, burn the towers, crumble the bridges, turn the underground passages into lethal chambers, cremate millions... Of all targets New York has a certain clear priority. In the mind of whatever perverted dreamer might loose the lightning, New York must hold a steady, irresistible charm.

A poem compresses much in a small space and adds music, thus heightening its meaning. The city is like poetry: it compresses all life, all races and breeds, into a small island and adds music and the accompaniment of internal engines. The island of Manhattan is without any doubt the greatest human concentrate on earth, the poem whose magic is comprehensible to millions of permanent residents but whose full meaning will always remain elusive.

In middle life, the human back is spoiling for a technical knockout and will use the flimsiest excuse, even a sneeze, to fall apart.

Advice from this elderly practitioner is to forget publishers and just roll a sheet of copy paper into your machine and get lost in your subject.

A man is not expected to love his country, lest he make an ass of himself. Yet our country, seen through the mists of smog, is curiously lovable, in somewhat the way an individual who has got himself into an unconscionable scrape seems lovable - or at least deserving of support.

It can destroy an individual, or it can fulfill him, depending a good deal on luck. No one should come to New York to live unless he is willing to be lucky.