The essayist . . . can pull on any sort of shirt, be any sort of person, according to his mood or his subject matter - philosopher, scold, jester, raconteur, confidant, pundit, devil's advocate, enthusiast.

Why did you do all this for me?' he asked. 'I don't deserve it. I've never done anything for you.' 'You have been my friend,' replied Charlotte. 'That in itself is a tremendous thing.

If sometimes there seems to be a sort of sameness of sound in The New Yorker, it probably can be traced to the magazine's copydesk, which is a marvelous fortress of grammatical exactitude and stylish convention.

There is nothing harder to estimate than a writer's time, nothing harder to keep track of. There are moments—moments of sustained creation—when his time is fairly valuable; and there are hours and hours when a writer's time isn't worth the paper he is not writing anything on.

Our vegetable garden is coming along well, with radishes and beans up, and we are less worried about revolution that we used to be.

Old age is a special problem for me because I've never been able to shed the mental image I have of myself - a lad of about 19.

Who can confidently say what ignites a certain combination of words, causing them to explode in the mind? Who knows why certain notes in music are capable of stirring the listener deeply, though the same notes slightly rearranged are impotent? These are high mysteries, and this chapter is a mystery story, thinly disguised.