The essayist is a self-liberated man, sustained by the childish belief that everything he thinks about, everything that happens to him, is of general interest. He is a fellow who thoroughly enjoys his work, just as people who enjoy bird walks enjoys theirs. Each new excursion of the essayist, each new 'attempt,' differs from the last and takes him into new country. This delights him. Only a person who is congenitally self-centered has the effrontery and the stamina to write essays.

Place yourself in the background; write in a way that comes naturally; work from a suitable design; write with nouns and verbs; do not overwrite; do not overstate; avoid the use of qualifiers; do not affect a breezy style; use orthodox spelling; do not explain too much; avoid fancy words; do not take shortcuts as the cost of clarity; prefer the standard to the offbeat; make sure the reader knows who is speaking; do not use dialect; revise and rewrite.

It is at a fair that man can be drunk forever on liquor, love, or fights; at a fair that your front pocket can be picked by a trotting horse looking for sugar, and your hind pocket by a thief looking for his fortune.

In the nature of things, a person engaged in the flimsy business of expressing himself on paper is dependent on the large general privilege of being heard. Any intimation that this privilege may be revoked throws a writer into panic.

Familiarity is the thing-the sense of belonging. It grants exemption from all evil, all shabbiness.

There is nothing harder to estimate than a writer's time, nothing harder to keep track of. There are moments—moments of sustained creation—when his time is fairly valuable; and there are hours and hours when a writer's time isn't worth the paper he is not writing anything on.

Creation is in part merely the business of forgoing the great and small distractions.