We are able to walk on air, but only as long as our illusion supports us.

A writer of books has to admit that film is the enemy, and that in my case I have been sleeping with the enemy.

You can't remember sex. You can remember the fact of it, and recall the setting, and even the details, but the sex of the sex cannot be remembered, the substantive truth of it, it is by nature self-erasing, you can remember its anatomy and be left with a judgment as to the degree of your liking of it, but whatever it is as a splurge of being, as a loss, as a charge of the conviction of love stopping your heart like your execution, there is no memory of it in the brain, only the deduction that it happened and that time passed, leaving you with a silhouette that you want to fill in again.

When you're working well, you don't do research. Whatever you need comes to you.

In the twentieth century one of the most personal relationships to have developed is that of the person and the state. It's become a fact of life that governments have become very intimate with people, most always to their detriment.

Planning to write is not writing. Outlining, researching, talking to people about what you're doing - none of that is writing. Writing is writing. Writing is like driving at night in the fog. You can only see as far as your headlights, but you can make the whole trip that way.

I've always felt, as a writer, that radicals are fascinating because they're relations, they have a place in the American family. They're the relatives everyone wishes would go away. They're the embarrassments to decorum and good taste.