Nonsense and beauty have close connections.

In the light of her son's comment she reconsidered the scene at the mosque, to see whose impression was correct. Yes it could be worked into quite an unpleasant scene. The doctor had begun by bullying her, had said Mrs Callendar was nice, and then - finding the ground safe - had changed; he had alternately whined over his grievances and patronized her, had run a dozen ways in a single sentence, had been unreliable, inquisitive, vain. Yes, it was all true, but how false as a summary of the man; the essential life of him had been slain.

The novel is a formidable mass, and it is so amorphous - no mountain in it to climb, no Parnassus or Helicon, not even a Pisgah. It is most distinctly one of the moister areas of literature - irrigated by a hundred rills and occasionally degenerating into a swamp. I do not wonder that the poets despise it, though they sometimes find themselves in it by accident. And I am not surprised at the annoyance of the historians when by accident it finds itself among them.

Think before you speak is criticism's motto; speak before you think, creation's.

Don't be mysterious; there isn't the time.

When that strange race nears the dust and is condemned as untouchable, then nature remembers the physical perfection that she accomplished elsewhere, and throws out a god-not many, but one here and there, to prove to society how little its categories impress her.

How can I know what I think till I see what I say?