It is curious that nearly all the great fortunes are made by turning beautiful things into ugly ones. Making beauty out of ugliness is very ill-paid work.

I never read prefaces, and it is not much good writing things just for people to skip. I wonder other authors have never thought of this.

There is no bond like the bond of having read and liked the same books.

This is why I shall not tell you in this story about all the days when nothing happened. You will not catch me saying, 'thus the sad days passed slowly by'--or 'the years rolled on their weary course'--or 'time went on'--because it is silly; of course time goes on--whether you say so or not. So I shall just tell you the nice, interesting parts--and in between you will understand that we had our meals and got up and went to bed, and dull things like that.

The ones as big as sheep were easier to avoid, because you could see them coming, but when they flew in at the window and curled up under your eiderdown, and you did not find them till you went to bed, it was always a shock. The ones this size did not eat people, only lettuces, but they always scorched the sheets and pillowcases dreadfully.

When you are young so many things are difficult to believe, and yet the dullest people will tell you that they are true--such things, for instance, as that the earth goes round the sun, and that it is not flat but round. But the things that seem really likely, like fairy-tales and magic, are, so say the grown-ups, not true at all. Yet they are so easy to believe, especially when you see them happening.

It is all very wonderful and mysterious, as all life is apt to be if you go a little below the crust, and are not content just to read newspapers and go by the Tube Railway, and buy your clothes ready-made, and think nothing can be true unless it is uninteresting.