When I started to pick up the bass, it was purely by random chance.

I am a classical music lover - not necessarily the contemporary stuff, but the old stuff.

When I think back now to the recording sessions, there is more improvisation than one hears. It's an ideal combination of arrangements and improvisation. Only a few people are able to listen and say what is composed and what is improvised. It's a unit.

The problem is that I don't want to add another record to the world that is not necessary to be published, except to make some business. There has to be a musical reason.

I like to create the music I hear in my interior. As a conductor, you have the ability to squeeze the sounds and interpretation you asked for from 50 to 80 people.

When I started to pick up the bass, it was purely by random chance.

The way to compose for me is to have lots of time.