I sat with five of the "Mothers of the Movement." Of course I'm hyping the show, but I keep telling everybody this part is not hype. After a while particularly in the case of Sybrina Fulton, they've become celebrities and people forget that they've become celebrities because of the death, the murder of their child. So I wanted people to see the burning desire for these women to live their child's legacy, to not let their child have died in vain, so they're fighting to stop the violence.

We've had now eight years and there's this prideful sense among many African Americans. When you think about how elated they are when they see the First Lady on magazine covers or when she is out doing her thing. There just this pride our community has had for eight years now. When that goes away, I jokingly said it, but I do think there's going to be a bit of withdrawal.

One of the things that EBONY [magazine] has done for years, decades is perspective. They knew what our audience was, they know who we are, so that's what I hope to do with this show.

You will meet their children through their eyes. One of the most poignant moments is when I asked each to describe the moment they found out their child had been killed. So this is a very personal side to each one of these mothers ["Mothers of the Movement"].

I wanted people to kind of take a peek to see that the pain, even though you may see them out at the Democratic National Convention or at Essence [Festival] or any of these other places, that the pain is still very real for these women [from the "Mothers of the Movement"].

We're looking at a story we want to call "Am I Black enough for you?" That's that whole question of who determines what "Black enough" is. Is it color? And if it's color, then are you telling me that Clarence Thomas is Blacker than Louis Farrakhan? If it's not color then what's the line that determines whether you are?

I feel like, I mean, there's no new wheel, you know. A newsmagazine is what it is.