Sometimes you just create a joke out of thin air in the editing room. So I'm really glad I've had that experience. It gives me a little more confidence in front of the camera.

It's just one of those things like when you're not supposed to laugh, it makes it that much harder to stop laughing. And for some reason Zach [ Galifianakis] and I get in this feedback mood of giggling, and on the set of Hangover we just couldn't get through stuff.

As an editor, you're constantly dealing with the best way to convey an exchange between two people. So when I'm shooting, I'm just aware in the back of my head what an editor might want.

I lived in New York for 10 years, I loved it, I never second-guessed it. There were definitely times when I thought, "I will never leave this place." And I kind of got into that center-of-the-universe mindset.

I loved the show Lost, in part because the writers were so nimble in how they would take things from previous episodes, that probably weren't created with any intent towards a larger narrative, and they would get woven into narratives in a really elegant and exciting way.

I'm the worst in The Office. It's a problem. They've had to shut down the set for like 30 minutes because of me.

All I knew is that I loved movies and comedy and TV, and I wanted to perform. I made a bunch of shorts and movies in college, and that was always fun too. I directed some plays in college. It was taking it all in and trying to immerse myself in as much of it as possible.