Sometimes you just create a joke out of thin air in the editing room. So I'm really glad I've had that experience. It gives me a little more confidence in front of the camera.

You see a lot of sides of people on a movie set because it can be really taxing and to kind of go through all that together - you really get to know someone.

It's kind of hard to win most elections on anti-family, immorality, and Satan-worship.

It was never tough [ being the new guy]. It's just the warmest group of people [The Office stuff] you could ever hope to work with.

I worked as an assistant editor, actually, for a few years. That was right when I was just starting to get out at night and do a lot of stand-up, improv, and sketch work in New York. It really is invaluable. I think it pounded into me an awareness of what an editor wants and needs, in terms of clarity of a moment, where and when to start and stop a line.

We did some camera tests blacking it out, we made a prosthetic with a gap in it, but that made me look like a donkey, so I vetoed that right away. And then I just finally called my dentist and said, 'You know, I've had this implant for 20 years. What's it involve in taking it out?' And he said, 'It's actually not that big a deal. We can do that.' So we took it out and I was toothless for three months, for the run of the movie [ The Hangover] .I take my job very seriously.

I've always been into toys and kits and models. I'm kind of a toy nerd.