That's actually a rare thing to be on a set full of people that you admire and make you laugh all the time.

As an editor, you're constantly dealing with the best way to convey an exchange between two people. So when I'm shooting that, I'm just aware in the back of my head what an editor might want. And also, the problems editors run into when trying to edit performances - it helps me head that off at the pass a little.

A lot of kind of like the way that Andy [Bernard] talks, you know, the writers pick up on those things - little moments that I inject and then they start to write it in later. It's hard to say if a whole storyline is spun out of an improv. I feel like it has happened on The Office, I just can't think of it.

First there was the New Hampshire primary, and we had nearly a year leading up to it. And now, look! Three primaries in one weekend! How many of these things are they going to have?

There is something beautiful in the mundane if you take enough microscope to it and focus in on something that seems innocuous to begin with.

We played around and improvised a ton [in The Hangover], and I think it's hard to say at this point what's what. Gosh, I wouldn't even know how to take a stab at it. The script was so good that we really didn't need to improvise very much, but I think we just found a lot of moments on the set. It's really cool when you get onto the set of a movie and you start shooting the scenes and you start to actually incorporate the environment.

It's kind of hard to win most elections on anti-family, immorality, and Satan-worship.