I have a book coming out in September, for example, where the plot concerns counterfeiting, and I had to do a lot of research on that. Or on any legal matters, for example, I have to do a lot of research online.

It seemed to me... that the only valid people to deal with crime were cops, and I would like to make the lead character, rather than a single person, a squad of cops.

I would like to win the Pulitzer Prize. I would like to win the Nobel Prize. I would like to win a Tony award for the Broadway musical I'm now working on. Aside from these, my aspirations are modest ones.

Its a matter of style. The Evan Hunter style and the Ed McBain style are very, very different.

Readers are what it's all about, aren't they? If not, why am I writing?

In conversations and visits with friends from Africa, Asia, Latin America, the Middle East, and Eastern Europe I am often struck by the gaps in our Western theological approaches. The most common texts used in evangelical schools have been written in the US, UK, and Australia. However, they miss some fundamental contextual issues.

Formal theological teaching in Africa is deeply rooted in the Western missionary movement . However, in practice, the church wrestles with how to bring theology to bear on the realities it faces in the context.