I did listen to 1920s jazz or Al Johnson and a lot of early singers coming out of England. I would branch out a little bit to get a sense of the world that he might be coming into, in the '30s when jazz was changing.

I want to be 82 and doing movies with Paolo Sorrentino where people are like, "This is gold."

I've got to give my brother a lot of credit because he's always introduced me to a lot of things and those films spiked an interest of, "Wow, this is an incredible world, how do you be a part of that?" That definitely helped me through my school years of doing theater.

I never went to stage school or anything like that. It was always plays, productions at school and things like that. The thing for me with acting was it was the only thing I could fully concentrate on. I loved playing sports. I didn't really love studying.

Music was a big thing for me growing up and Scorsese and Tarantino both use music brilliantly in movies. They're probably two of the best at using music.

If you can have a show that has quite strong morals and cover important themes but be able to put them out to a broad audience, that's an interesting thing.

A lot of the time when you're doing your own work, it's all in your own head, which can be frustrating if you're prepping for something, especially an audition where it's all in your brain and you go in and no one else has seen it and you don't really know how it fits.