I did listen to 1920s jazz or Al Johnson and a lot of early singers coming out of England. I would branch out a little bit to get a sense of the world that he might be coming into, in the '30s when jazz was changing.

I've always loved [acting] and I've always wanted to [do it] from as far back as I can remember.

I did listen to 1920s jazz or Al Johnson and a lot of early singers coming out of England. I would branch out a little bit to get a sense of the world that he might be coming into, in the '30s when jazz was changing.

I've got to give my brother a lot of credit because he's always introduced me to a lot of things and those films spiked an interest of, "Wow, this is an incredible world, how do you be a part of that?" That definitely helped me through my school years of doing theater.

I want to go to the extremes and transformation is something I'm fascinated by. At the same time, you can transform but you can only really put what you've got inside you into somebody, so there's always going to be a degree of you inhabiting any role.

If you can have a show that has quite strong morals and cover important themes but be able to put them out to a broad audience, that's an interesting thing.

From a stupidly young age I was always involved in anything, whether it be a nativity play or little kids plays. Wherever it was, I was involved and I think it was because more than anything, I wanted to be the center of attention.