I think that sharpens the intention of a scene and clarifies a story's arc. Of course, I don't seek the questions until after I've written a scene - or maybe after I've daydreamed it.

Oh my goodness, I hate camping. I am like Frida times 1,000. I have always been attracted to wilderness stories, à la the movie Badlands, when Sissy Spacek and Martin Sheen are in the woods on the lam - maybe because it scares me a little.

All crises, once averted, become jokes.

I am glad it's [California novel] resonated with people because, for me, most apocalyptic novels aren't scary, because they feel so very far off.

California seemed to me to be all about secrets and the need for safety. And this leads to this thematic messiness I'm still trying to figure out what to do with. I mean, when it comes to the themes, this is nothing like an Atwood novel.

I am not sure how a novel changes the world. I think it alters a reader's perspective by asking him or her to see the world through another consciousness. That can perhaps cause people to see their own lives differently. Or just give a single day, a single moment, a slightly different sheen.

I suppose that it's my impulse to mine, as a writer, these scary parts of ourselves and the world.