I want to be respected as an actor. There's my ego. But I don't have a great need to be liked by an audience.

I was approached to do something for seven years, and it was a quality project. I did seriously think about it, but I didn't want to be away for six months of the year. I've never done the L.A. thing where you go and have loads of meetings; I can't say to my wife, 'I'm going to wait by a pool for six months.'

As a working-class actor, leaving school with no qualifications, being a printer and then becoming an actor and then working with people who to a certain extent had had a leg up. I never had that advantage. It's less an artistic need to express myself and more a need to prove myself.

What I love about the East End is that theres a great perseverance, determination and courage. What I dislike about it is that there is sometimes a celebration of ignorance.

When I think of character actors, I think of Spencer Tracy; I think of Gene Hackman, Robert Duvall. When I was a young lad watching films, my eyes were on them - watching 'On the Waterfront,' my eyes are on Rod Steiger and Karl Malden, not on Brando.

My idea is just to do something different each time; the next thing I do has to be completely different to the thing I've done before - that's what I try and do, because you know, I'm an actor, not a film star.

I come from a place where there's violence and inarticulacy. I worked in a pub from the age of 12 or 13. I used to see people smashing glasses over each other. I was never tough. I was scared of them.