Every bad decision I've made has been based on money. I grew up in the projects and you don't turn down money there. You take it, because you never know when it's all going to end. I made Cop III because they offered me $15 million. That $15 million was worth having Roger Ebert's thumb up my ass.

White boys always get the Oscar. It's a known fact. Did I ever get a nomination? No! You know why? Cause I hadn't played any of them slave roles, and get my ass whipped. That's how you get the nomination. A black dude who plays a slave that gets his ass whipped gets the nomination, a white guy who plays an idiot gets the Oscar. That's what I need, I need to play a retarded slave, then I'll get the Oscar.

I only want to do what I really want to do; otherwise, I'm content to sit here and play my guitar all day.

Whenever I am on camera or doing anything on mic, I don't have any process at all. I just do it and, when I'm finished, it goes away. There is no process. I wish there were some techniques to it. I just turn it on and off, and then I go home.

There's always been a lot of negative stuff written about me. That's why I don't pay any attention to the critics. They've never liked anything I've done. What do critics know? It's the way the audience reacts that matters.

If you're involved in with something that's original, you know, you'll always go back and try to rehash it.

From the very beginning, I always tried to make dialogue flow comfortably; I always did that to make it seem more authentic.