I always think of comedy as being spontaneous, and yet everything about filmmaking is not spontaneous.

It's the weird thing Eton does - you're at school next to lords and earls and, in my case, Prince William, so you end up being used to dealing with those sorts of people.

Actors who perhaps are super-confident and have absolute belief in themselves I always admire, because I can't really be like that.

I always think of comedy as being spontaneous, and yet everything about filmmaking is not spontaneous.

In England we have this saying about Marmite: people either love it or hate it. That's like a lot of the movie work I've done. People either find it repulsive or find it really interesting and get engaged in it.

I love the Potter films. I found them the most wonderful sort of escapism every year or two.

I'm quite ignorant about fashion and I'm colourblind, so it's all a tad tricky. My only knowledge of that world comes through Christopher Bailey, whom I first met in 2008 when I did a campaign for Burberry that featured musicians, artists, actors and sportsmen.