They're such hierarchical things, film sets, they're sort of mini societies. Often they're incredibly political places.

Listen, acting is not surgery, it's entertainment. You're doing something to hopefully move people, to make them laugh, to transport them. But actors are vulnerable, and the reason we're vulnerable is that we're always trying to recreate human behaviour.

I'm trying to buy a house and set some sense of roots because otherwise you're constantly chasing one job after another, and you look back and you've had all these very extraordinary experiences with extraordinary people, but there's not a line of continuity to it.

They're such hierarchical things, film sets, they're sort of mini societies. Often they're incredibly political places.

I always try to describe making movies like summer camp, or some holiday where you spend all day, every day with a new group of people whom you kind of love and then never see again.

The depiction of the exterior as opposed [to] what you're feeling inside is always so different that it's impossible to know what is right.

It's the weird thing Eton does - you're at school next to lords and earls and, in my case, Prince William, so you end up being used to dealing with those sorts of people.