I believe in the power of music. To me, it isn't just a fad. This is a positive thing.

The sorrow grows bigger when the sorrow's denied.

You have to be able to grow and move with the organism that is the music industry. You need to maintain flexibility. Ownership of your own stuff is key and then you're able to dictate on a present-terms basis what would be the most effective way to protect yourself and what you've created. You also don't want to lock yourself into a situation where a major label owns part of your touring and merchandise.

There are times where I would keep three typewriters on a table, and I'd have three complete thoughts going. With computers, you make folders, files - I don't know about those things. I have sheaves of paper polluted with words and paragraphs. I found it a good tool for me. And it keeps your hands strong for guitar playing.

It's saying, just stop, and be together. Don't talk now, just breathe and feel each other's presence.

I get really worried, like if they say, 'Take vocal lessons,' or something because it's kind of like I used to really love to draw when I was a kid and then I took like an art class - because everyone said, 'Oh, you're so good, you should take a class and maybe you can be really good,' and then I went to the class and then they showed me how to use a ruler and perspective and all this stuff and it totally made me not want to do it at all.

It's more like you write what comes to you... You try to reflect the mood of the songs. Take 'Rearviewmirror', we start off with the music and it kinds of propels the lyrics. It made me feel like I was in a car, leaving something, a bad situation. There's an emotion there. I remembered all the times I wanted to leave.