I remember sitting in this pool hall with Stone and Chris and we watched - this really old, really classic pool hall - and we were sitting there and it was really rainy out and George Bush came on and started telling us about the [Gulf] war and that we were going and, and the whole thing, and there's part of that in it, when we talk about "I don't question our exsistence / I just question, our modern needs.

I think that if your approach is one where you don't want to alienate anybody, you're going to have to soften the viewpoint or the information that you're offering to such an extent that it doesn't have the power to make any difference. You have to take that risk.

At some point, when you read about this factual information that comes out in The New Zealand Herald and it's barely mentioned in The New York Times, then I think you've got to question where this is being manipulated, and where the filters are.

You can't be perfect. You can't be the perfect father. You can't be the perfect singer.

I've stepped back a few times and had these crazy epiphanies that we are blessed by having Barack Obama as a candidate at this time in our history. If we were ever to have a man of color become president - and it shouldn't be about that, and it doesn't need to be, because he's qualified on all levels - but if you do think about it, just in terms of that idea of unifying people, it's a huge positive.

I am not a good enough writer to have an agenda or come up with a message and try to put it into a song. It's more like you write what comes to you... You try to reflect the mood of the songs.

You have to be able to grow and move with the organism that is the music industry. You need to maintain flexibility. Ownership of your own stuff is key and then you're able to dictate on a present-terms basis what would be the most effective way to protect yourself and what you've created. You also don't want to lock yourself into a situation where a major label owns part of your touring and merchandise.