I was living on the wrong side of the tracks in Evanston, Illinois, in a home for boys. We had these Jackson 5 records. I really related to their voices - they were about my age, but they were doing it.

One thing you might suggest to a young band is don't get involved in any kind of long-term contract because everything changes on a bimonthly basis: The way people hear music and access it, the way it is distributed.

I'd like people to be educated on the voting machines, making sure that our democracy isn't being hijacked by computer technology. There's no reason there can't be a paper trail on those machines.

Competition is healthy, if you can turn it off and on. When someone gets too cocky in victory, that can ruin the positive aspect.

I was starting to play the ukulele at the same time I was having all these conversations with [the late Ramones guitarist] Johnny Ramone, these intense tutorials staying up late and listening to the music he grew up on, and picking up what's a great song and what makes a great song. He was all about lists and dissecting songs, like what's a better song by Cheap Trick: "No Surrender" or "Dream Police"? Sometimes you'd be surprised by the answer. It was an interesting dichotomy between hanging out with the godfather of punk rock and starting to play the ukulele. They came together.

If you're anti-war it doesn't mean you are 'pro' one side or the other in a conflict.

Music was your real passion, this thing you held dear even above family. It was this relationship that never betrayed you. Once it became your job - this thing that was highly visible, this thing that became about commerce - that's when you were holding onto music like it was a palm tree in a hurricane.