You have to be able to grow and move with the organism that is the music industry. You need to maintain flexibility. Ownership of your own stuff is key and then you're able to dictate on a present-terms basis what would be the most effective way to protect yourself and what you've created. You also don't want to lock yourself into a situation where a major label owns part of your touring and merchandise.

I'm optimistic yet disillusioned, hopeful yet frustrated.

If he can't sleep, how will he ever dream?

It's not a bad time to be me.

Music saved me; I mean, my upbringing was like a hurricane, and music was the tree I held onto.

Sometimes I hear news about the huge dollars involved with CEO pay and corporate-management salaries, and I'm mystified at how someone can justify taking that much at the cost of other people's livelihoods. In a bizarre way, I'm almost kind of curious, like "How can they absolve themselves and enjoy their wealth?" I don't understand it.

I was living on the wrong side of the tracks in Evanston, Illinois, in a home for boys. We had these Jackson 5 records. I really related to their voices - they were about my age, but they were doing it.