The one thing about going from the audience to the stage in just three years is that you know how it feels to be down there.

One thing you might suggest to a young band is don't get involved in any kind of long-term contract because everything changes on a bimonthly basis: The way people hear music and access it, the way it is distributed.

Sometimes I hear news about the huge dollars involved with CEO pay and corporate-management salaries, and I'm mystified at how someone can justify taking that much at the cost of other people's livelihoods. In a bizarre way, I'm almost kind of curious, like "How can they absolve themselves and enjoy their wealth?" I don't understand it.

If it's a band I like, I just hope they will survive it all. And I'll admit that if it's crap music, I hope they won't and it'll go away. Simply because there are too many great bands who should be heard in their place.

You kill yourself and you make a big old sacrifice and try to get your revenge. That all you're gonna end up with is a paragraph in a newspaper. In the end, it does nothing. Nothing changes. The world goes on and you're gone. The best revenge is to live on and prove yourself.

I'm probably never happier than when I'm by myself in the water. What I've worked and sacrificed for is not to be on stage playing music but to surf in some secluded place. It's a grounding element. Waves don't care who you are.

Singing someone else's songs is like keeping your clothes on.