I intend to put up with nothing that I can put down.
I was never really insane except upon occasions when my heart was touched.
A short story must have a single mood and every sentence must build towards it.
In the tale proper--where there is no space for development of character or for great profusion and variety of incident--mere construction is, of course, far more imperatively demanded than in the novel.
We loved with a love that was more than love.
And I fell violently on my face.