Odors have an altogether peculiar force, in affecting us through association; a force differing essentially from that of objects addressing the touch, the taste, the sight or the hearing.
Edgar Allan PoeI would define, in brief, the Poetry of words as the Rhythmical Creation of Beauty. Its sole arbiter is taste. With the intellect or with the conscience, it has only collateral relations. Unless incidentally, it has no concern whatever either with duty or with truth.
Edgar Allan PoeIn [chess], where the pieces have different and "bizarre" motions, with various and variable values, what is only complex, is mistaken (a not unusual error) for what is profound
Edgar Allan Poe