In reading some books we occupy ourselves chiefly with the thoughts of the author; in perusing others, exclusively with our own.

Yet, mad am I not — and very surely do I not dream.

I stand amid the roar Of a surf-tormented shore, And I hold within my hand Grains of golden sand- How few! yet how they creep Through my fingers to the deep, While I weep- while I weep!

In reading some books we occupy ourselves chiefly with the thoughts of the author; in perusing others, exclusively with our own.

I would define, in brief, the Poetry of words as the Rhythmical Creation of Beauty. Its sole arbiter is taste. With the intellect or with the conscience, it has only collateral relations. Unless incidentally, it has no concern whatever either with duty or with truth.

The unity of effect or impression is a point of the greatest importance. It is clear, moreover, that this unity cannot be thoroughly preserved in productions whose perusal cannot be completed at one sitting.

Gaily bedight, A gallant knight, In sunshine and in shadow, Had journeyed long, Singing a song, In search of Eldorado. But he grew old— This knight so bold— And o’er his heart a shadow— Fell as he found No spot of ground That looked like Eldorado. And, as his strength Failed him at length, He met a pilgrim shadow— ‘Shadow,’ said he, ‘Where can it be— This land of Eldorado?’ ‘Over the Mountains Of the Moon, Down the Valley of the Shadow, Ride, boldly ride,’ The shade replied,— ‘If you seek for Eldorado!