Me volví loco, con largos intervalos de horrible cordura.

It is impossible to say how first the idea entered my brain, but, once conceived, it haunted me day and night.

Most writers - poets in especial - prefer having it understood that they compose by a species of fine frenzy - an ecstatic intuition - and would positively shudder at letting the public take a peep behind the scenes.

The idea of God, infinity, or spirit stands for the possible attempt at an impossible conception.

There are some secrets which do not permit themselves to be told. Men die nightly in their beds, wringing the hands of ghostly confessors, and looking them piteously in the eyes - die with despair of heart and convulsion of throat, on account of the hideousness of mysteries which will not suffer themselves to be revealed. Now and then, alas, the conscience of man takes up a burden so heavy in horror that it can be thrown down only into the grave. And thus the essence of all crime is undivulged.

...for the question is of will, and not, as the insanity of logic has assumed of power. It is not that the Deity cannot modify his laws, but that we insult him in imagining a possible necessity for modification. In their origin these laws were fashioned to embrace all contingencies which could lie in the future. With God all is Now.

The Merchant, to Secure His Treasure The merchant, to secure his treasure, Conveys it in a borrowed name: Euphelia serves to grace my measure, But Cloe is my real flame. My softest verse, my darling lyre Upon Euphelia's toilet lay - When Cloe noted her desire That I should sing, that I should play. My lyre I tune, my voice I raise, But with my numbers mix my sighs; And whilst I sing Euphelia's praise, I fix my soul on Cloe's eyes. Fair Cloe blushed; Euphelia frowned: I sung, and gazed; I played, and trembled: And Venus to the Loves around Remarked how ill we all dissembled.