She felt a stealing sense of fatigue as she walked; the sparkle had died out of her, and the taste of life was stale on her lips. She hardly knew what she had been seeking, or why the failure to find it had so blotted the light from her sky: she was only aware of a vague sense of failure, of an inner isolation deeper than the loneliness about her.
Edith WhartonBut I have sometimes thought that a woman's nature is like a great house full of rooms: there is the hall, through which everyone passes in going in and out; the drawing-room, where one receives formal visits; the sitting-room, where the members of the family come and go as they list; but beyond that, far beyond, are other rooms, the handles of whose doors perhaps are never turned; no one knows the way to them, no one knows whither they lead; and in the innermost room, the holy of holies, the soul sits alone and waits for a footstep that never comes.
Edith WhartonThe other producer of old age is habit: the deathly process of doing the same thing in the same way at the same hour day after day, first from carelessness, then from inclination, at last from cowardice or inertia. Luckily the inconsequent life is not the only alternative; for caprice is as ruinous as routine. Habit is necessary; it is the habit of having habits, of turning a trail into a rut, that must be incessantly fought against if one is to remain alive.
Edith Wharton..but it seemed to him that the tie between husband and wife, if breakable in prosperity, should be indissoluble in misfortune.
Edith WhartonI was a failure in Boston...because they thought I was too fashionable to be intelligent, and a failure in New York because they were afraid I was too intelligent to be fashionable.
Edith WhartonThe turnings of life seldon show a sign-post; or rather, though the sign is always there, it is usually placed some distance back, like the notices that give warning of a bad hill or a level railway-crossing.
Edith WhartonI am secretly afraid of animals.... I think it is because of the usness in their eyes, with the underlying not-usness which beliesit, and is so tragic a reminder of the lost age when we human beings branched off and left them: left them to eternal inarticulateness and slavery. Why? their eyes seem to ask us.
Edith Wharton