For me to write I have to be, a, alone, and b, know that nobody is going to question me. I write the way a thief steals; it's a little covert.

The other me, who did not mean to drown herself, went under the sea and remained there for a long time. Eventually she surfaced near Japan and people gave her gifts but she had been so long under the sea she did not recognize what they were. She is a sly one. Mostly at night we commune. Night. Harbinger of dream and nightmare and bearer of omens which defy the music of words. In the morning the fear of her going is very real and very alarming. It can make one tremble. Not that she cares. She is the muse. I am the messenger.

Money talks, but tell me why all it says is just Goodbye.

IT WAS TESS who told me about the crowd going to the all-night dance. We'd been school friends. We'd picked mushrooms and pretended to have seen a big ship. She had got married since I went away; it was a made match, a man from the midlands, a Donal, who had worked in a garage but took to farming, out all day, draining fields and callows so that he could till them and sow corn.

It's not the vote women need, we should be armed.

never forget this moment, the hum of the bee, the saffron threads of the flower, the drawn blinds, nature's assiduousness and human cruelty.

To live with the work and the letters of James Joyce was an enormous privilege and a daunting education. Yes, I came to admire Joyce even more because he never ceased working, those words and the transubstantiation of words obsessed him. He was a broken man at the end of his life, unaware that Ulysses would be the number one book of the twentieth century and, for that matter, the twenty-first.