The walls are the publishers of the poor.

I can't sleep. There is a woman stuck between my eyelids. I would tell her to get out if I could. But there is a woman stuck in my throat

My language is a feel-thinking language, feeling and thinking at once, that is why it is a celebration of life, and at once it is a denunciation of everything that is not allowed in life to be real life, it's plenitude.

Reality is very, very contradictory, and so I try to write just perfecting what I see, what I read, what I feel, in a feel-thinking way. Not only giving ideas, or receiving ideas, or trying to explain something, but mainly feel-thinking, a feel-thinking language able to tie the heart and the mind, which have been divorced.

I would recognise myself in each of his translations and he would feel betrayed and annoyed whenever I didn't write something the way he would have. A part of me died with him, a part of him lives with me.

Our effectiveness depends on our capacity to be audacious and astute, clear and appealing. I would hope that we can create a language more fearless and beautiful than that used by conformist writers to greet the twilight.

Memory. My poison, my food.