The thing that makes a creative person is to be creative and that is all there is to it.

Few sensible authors are happy discussing the creative process--it is, after all, black magic.

I am not interested in living in a city where there isn't a production by Samuel Beckett running.

I've seen an awful lot of plays that I'd read before they were put into production and been shocked by what's happened to them. In the attempt to make them straightforward and commercially successful, a lot of things go out the window.

Usually, the way I write is to sit down at a typewriter after that year or so of what passes for thinking, and I write a first draft quite rapidly. Read it over. Make a few pencil corrections, where I think I've got the rhythms wrong in the speeches, for example, and then retype the whole thing. And in the retyping I discover that maybe one or two more speeches will come in. One or two more things will happen, but not much.

Why we are here is an impenetrable question.

The characters' lives have gone on before the moment you chose to have the action of the play begin. And their lives are going to go on after you have lowered the final curtain on the play, unless you've killed them off.