Any definition which limits us is deplorable.
A lot interests me - but nothing surprises me particularly.
I usually think about a play anywhere from six months to a year and a half before I sit down to write it out.
Martha: Oh, I like your anger. I think that's what I like about you most. Your anger.
In rehearsals I get so completely wrapped up with the reality that's occurring on stage that by the time the play has opened I'm not usually quite as aware of the distinctions between what I'd intended and the result. There are many ways of getting the same result.
As a fairly objective judgment, I do think that my plays as they come out are better than most other things that are put on the same year. But that doesn't make them very good necessarily.