I suppose, writing a play is finding out what the play is.

True, I don't begin with an idea for a play - a thesis, in other words, to construct the play around. But I know a good deal about the nature of the characters. I know a great deal about their environment. And I more or less know what is going to happen in the play.

I've seen an awful lot of plays that I'd read before they were put into production and been shocked by what's happened to them. In the attempt to make them straightforward and commercially successful, a lot of things go out the window.

In the two or three or four months that it takes me to write a play, I find that the reality of the play is a great deal more alive for me than what passes for reality. I'm infinitely more involved in the reality of the characters and their situation than I am in everyday life. The involvement is terribly intense.

I think you remember everything ... you just can't bring it to mind all the time.

Who's Afraid of Virginia Woolf?

All plays are social comment to one extent or another.