Fifteen years ago I walked out of a production of one of my plays at the RSC because I decided it was a waste of time.

The one overall structure in my plays is language

What I try to do in a play is put a problem on stage, head-on, without evasion.

In the past goodness was always a collective experience. Then goodness became privatised.

At the turn of the century theatre does not have to be prescriptive.

Now, drama is quite useful at helping us to understand what our position is and, conversely, we might then understand why our theatre is being destroyed

The theatre, our theatre, comes from the Greeks