It is an error to suppose that courage means courage in everything.

Society is a long series of uprising ridges, which from the first to the last offer no valley of repose. Whenever you take your stand, you are looked down upon by those above you, and reviled and pelted by those below you. Every creature you see is a farthing Sisyphus, pushing his little stone up some Liliputian mole-hill. This is our world.

Archaeology is not only the hand maid of history, it is also the conservator of art.

The veil which covers the face of futurity is woven by the hand of mercy.

It is not by the gray of the hair that one knows the age of the heart.

Emulation, even in brutes, is sensitively "nervous." See the tremor of the thoroughbred racer before he starts. The dray-horse does not tremble, but he does not emulate. It is not his work to run a race. Says Marcus Antoninus, "It is all one to a stone whether it be thrown upward or downward." Yet the emulation of a man of genius is seldom with his contemporaries, that is, inwardly in his mind, although outwardly in his act it would seem so. The competitors with whom his secret ambition seems to vie are the dead.

In life, as in art, the beautiful moves in curves.